Kara Walker
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Installation shots
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Overview
Wooster Gardens is pleased to announce an exhibition of recent works by Kara Walker. This exhibition takes into account the diverse aspects of Walker’s oeuvre including her characteristic, silhouette works on paper, large-scale drawings, an installation comprised of manipulated, vintage objects employing Afro-Centric imagery and, for the first time, the presentation of a major text piece that reflects Walker’s ongoing interest in language through which she explores the constructs of racial identity and projects a literary vocation as a gifted storyteller.
Kara Walker is best known for wall installations that make use of cut-out silhouettes to stage pastoral scenes reminiscent of the Old South. In these works Walker subverts the conventions of the genre, traditionally linked to portraiture, to narrate dark, often ludicrous tales through fantastic allegories that blend apparent civility with sex and violent atrocities. As if derived from some sort of collective unconscious, these narratives touch upon issues of racial struggle, division of labor and gender, as “reenactments” of episodes of 19th Century American History.
The source of Walker’s rich imagery, laden with symbols of psycho-sexual nature, can befound in the extensive series of drawings and watercolors she has produced throughout her career. Her facility as a draftsperson renders a rich, expressive power to these works. Included in the exhibition is a series of large-scale works executed in coffee and gouache.
Kara Walker was the recipient of the Mac Arthur Fellowship in 1997. Since 1991, she has exhibited extensively throughout Europe and America. Among the most recent are solo exhibitions at The Renaissance Society in Chicago, The San Francisco Museum of Modern Art, both in 1997, The Carpenter Center at Harvard University and The Forum at St. Louis, Missouri in 1998. Moreover, Walker has recently produced two artists books: Freedom, A Fable, A Curious Interpretation of the Wit of a Negress in Troubled Times published by The Norton Family Foundation, 1997, and Kara Walker, exhibition catalogue with design -
Works
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Kara WalkerCut, 1998Cut paper on wall88 x 54 inches
223.5 x 137.2 cm -
Kara WalkerLetter from a Black Girl, 1998Transfer text on wallDimensions variableEdition 1 of 1 -
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Kara WalkerFree, Black and Passive Aggressive, 1998Ink and paint on found objects45 x 204 inches
114.3 x 518.2 cm -
Kara WalkerNegro History Minute, 1998Watercolor and gouache on paper52 x 99 inches
132.1 x 251.5 cm -
Kara WalkerBurn, 1998Cut paper on wall92 x 48 inches
233.7 x 121.9 cm -
Kara WalkerFairy Godmother Offers Some Unrequessted Advise, 1998Watercolour and gouache on paper52 x 99 inches
132.1 x 251.5 cm -
Kara WalkerConsume, 1998Cut paper on wall69 x 32 inches
175.3 x 81.3 cm -
Kara WalkerDanse de la Nubienne Nouveaux, 1998Cut paper on wallApprox. 120 x 240 inches (304.8 x 609.6 cm) -
Kara WalkerBeat, 1998Cut paper on wall65 x 66 inches
165.1 x 167.6 cm -
Kara WalkerBalance, 1998Coffee and gouache on paper53 x 52 1/2 inches
134.6 x 133.3 cm -
Kara WalkerTreesum, 1998Coffee and gouache on paper52.5 x 97 inches
133.4 x 246.4 cm -
Kara WalkerAstral, 1998Coffee and gouache on paper55.5 x 52.5 inches
141 x 133.4 cm -
Kara WalkerWhite Man, 1998Cut paper61 x 47 inches
154.9 x 119.4 cm -
Kara WalkerNegro Youth Speaks, 1998Coffee and gouache on paper72 x 52.5 inches
182.9 x 133.4 cm
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